PHILOLOGY. ASIAN STUDIES. JOURNALISM.
Issue 1, 2014
CONTENTS
| Section | LITERATURE | ||
| Codes UDC | 821.133.1:635.9 | Page | 43-51 |
| Title | FLOROOBRAZY S. MALLARME FROM PARNASSUS TO THE SYMBOLISM | ||
| Author 1 | Gorbovskaya Svetlana G. | St. Petersburg State University 7/9, Universitetskaya nab., St. Petersburg, 199034, Russian Federation Candidate of Philology, Associate Professor e-mail: vard_05@mail.ru |
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| Summary | In this article we are talking about one of the important concepts of creativity Stephane Mallarme, �internal landscapes�. For Mallarme important impression of trees , flowers and grass, the memory of landscapes, not the scenery. Through paintings �inner nature� poet conveys different feelings, emotions of his characters. Floroobrazy become symbols, impressionist paintings, not giving a clear semantic definition that illustrates the poet�s desire to create his special books that he wrote throughout the creative life. | ||
| Keywords | flora images, Mallarme, symbolism, internal landscapes. | ||